Coverbild AndrĂĄs SzĂĄntĂł. The Future of the Museum
Drei BĂŒcher von AndrĂĄs SzĂĄntĂł liegen aufgefĂ€chert auf einem weißen Hintergrund. Die BĂŒcher sind rot, cremefarben und hellblau und behandeln die Zukunft der Kunstwelt und des Museums.
Drei BĂŒcher von AndrĂĄs SzĂĄntĂł liegen fĂ€cherförmig auf einem weißen Hintergrund. Die BĂŒcher haben rote, hellblaue und cremefarbene EinbĂ€nde mit den Titeln Imagining the Future Museum, The Future of the Art World und The Future of the Museum.
Das cremefarbene Buchcover von The Future of the Museum: 28 Dialogues von AndrĂĄs SzĂĄntĂł. Der Titel ist in roter, der Autorenname in blauer Schrift.
Das cremefarbene Buchcover von The Future of the Museum von AndrĂĄs SzĂĄntĂł. Der Titel und der Untertitel, 28 Dialogues, sind in roter Schrift, der Name des Autors in schwarzer Schrift.
AndrĂĄs SzĂĄntĂł. The Future of the Museum
28 Dialogues
€ 22,00

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Designed by: Neil Holt
English
November 2020, 320 Pages , 30 Photos
softcover
120mm x 190mm
ISBN:978-3-7757-4827-8
Series: Hatje Cantz Text (Nr. 6)

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10629 Berlin
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Sicherheitshinweis entsprechend Art. 9 Abs. 7 S. 2 der GPSR entbehrlich

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| What Public Institutions Are Capable Of
As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist AndrĂĄs SzĂĄntĂł conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight conversations in this book explores a particular topic of relevance to art institutions today and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention.

CONVERSATION PARTNERS: Marion Ackermann (Staatliche Kunstsammlungen Dresden), Cecilia Alemani (The High Line, New York), Anton Belov (Garage Museum of Contemporary Art, Moscow), Meriem Berrada (MACAAL, Marrakesh), Daniel Birnbaum (Acute Art, London), Thomas P. Campbell (Fine Arts Museums of San Francisco), Tania Coen-Uzzielli (Tel Aviv Museum of Art), Rhana Devenport (Art Gallery of South Australia, Adelaide), MarĂ­a Mercedes GonzĂĄlez (Museo de Arte Moderno de MedellĂ­n), Max Hollein (The Metropolitan Museum of Art, New York), Sandra Jackson-Dumont (Lucas Museum of Narrative Art, Los Angeles), Mami Kataoka (Mori Art Museum, Tokyo), Brian Kennedy (Peabody Essex Museum, Salem), Koyo Kouoh (Zeitz Museum of Contemporary Art Africa, Cape Town), Sonia Lawson (Palais de LomĂ©), Adam Levine (Toledo Museum of Art), Victoria Noorthoorn (Museo de Arte Moderno de Buenos Aires), Hans Ulrich Obrist (Serpentine Galleries, London), Anne Pasternak (Brooklyn Museum), Adriano Pedrosa (MASP, SĂŁo Paulo), Suhanya Raffel (M+ Museum, Hong Kong), Axel Rüger (Royal Academy of Arts, London), Katrina Sedgwick (Australian Center for the Moving Image, Melbourne), Franklin Sirmans (PĂ©rez Art Museum Miami), Eugene Tan (National Gallery Singapore & Singapore Art Museum), Philip Tinari (UCCA Center for Contemporary Art, Beijing), Marc-Olivier Wahler (MusĂ©e d’Art et d’Histoire, Geneva), and Marie-CĂ©cile Zinsou (MusĂ©e de la Fondation Zinsou, Ouidah)

ANDRÁS SZÁNTÓ (*1964, Budapest), PhD, advises museums, cultural institutions, and leading brands on cultural strategy. An author and editor, his writings have appeared in the New York Times, Artforum, the Art Newspaper, and many other publications. He has overseen the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, who lives in Brooklyn, has been conducting conversations with art-world leaders since the early 1990s, including as a frequent moderator of the Art Basel Conversations series.
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