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Michael Wesely
Neue Nationalgalerie 160401_201209 (Special Edition)
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Author: Michael Wesely
Designed by: Philip Radowitz
Artist: Michael Wesely
Texts by: Bernd Gruber, Joachim Jäger, Alexander Schwarz, Prof. Thomas Weski
English, German
May 2021, 224
Pages
2 c-prints on Baryt paper
32 x 17,6 cm (image), 33 x 18,6 cm (sheet)
Ed.: 50 (+ 5APs)
signed and numbered
280mm
x
350mm
ISBN:978-3-7757-5111-7
| An Archeology of Time
There is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate “four guests” inside the iconic building: Four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 600 and 1100 pictures with an exposure time of two minutes each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building’s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.
The photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.
The photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.
This artist’s edition is exclusively available from us
Edition Hatje Cantz
Michael Wesely mit/with Herbert Maschke
In a palimpsest-like manner, the motif depicts the scene at the legendary Café Kranzler on Kurfürstendamm — then and now. The photographic print condenses the history of this iconic stretch of street, with its architectural ensemble in the background, into a single image charged with tension.
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