Home
Search results
101 Search results
Bücher
Cover Jorinde Voigt
Jorinde Voigt
Ludwig van BeethovenSonatas 1-32
Book (978-3-7757-4042-5)
German, English
€ 20,00 € 55,00
Find out more
Cover Sofie Dawo
Sofie Dawo
Eine textile Revolte / A Textile Subversion
Book (978-3-7757-5621-1 )
German, English
€ 58,00
Find out more
Cover Daniel Rode
Daniel Rode
Again and Again (Special Edition)
Deluxe edition (978-3-7757-5294-7 )
German, English
€ 128,00
Find out more
Cover Ernst Wilhelm Nay
Ernst Wilhelm Nay
Catalogue raisonné of watercolors, gouaches, and drawings. Volume 3
Book (978-3-7757-3413-4 )
German
€ 248,00
Find out more
Cover Damián Ortega
Damián Ortega
Survival of the Idea - Failure of the Object. Sketches and Projects 1991-2007
Book (978-3-7757-2075-5)
English, Spanish
€ 24,80
Find out more
Cover Rembrandt
Rembrandt
The Drawings in the Berlin Kupferstichkabinett. Critical Catalogue
Book (978-3-7757-1817-2 )
German
€ 39,80
Find out more
Cover The Hours
The Hours
Visual Arts of Contemporary Latin America
Book (978-3-7757-1710-6 )
English, Spanish
€ 35,00
Find out more
Cover Nanne Meyer
Nanne Meyer
Good Reasons. Drawings 1979-2019
Book (978-3-7757-4587-1 )
German
€ 54,00
Find out more
Cover James Ensor
James Ensor
From the Royal Museum of Fine Arts Antwerp and Swiss Collections
Book (978-3-7757-3722-7 )
English
€ 39,80
Find out more
Cover James Ensor
James Ensor
From the Royal Museum of Fine Arts Antwerp and Swiss Collections
Book (978-3-7757-3721-0 )
German
€ 39,80
Find out more
Cover Per Kirkeby
Per Kirkeby
Journeys in painting and elsewhere
Book (978-3-7757-2114-1 )
German, English
€ 39,80
Find out more

€ 20,00
€ 20,00
  • Caspar David Friedrich. Karlsruher Skizzenbuch (Schmuckausgabe)
    Bestseller
    Caspar David Friedrich. Karlsruher Skizzenbuch (Schmuckausgabe)
    The acquisition of the Karlsruhe Sketchbook by a German museum consortium and the Ernst von Siemens Art Foundation in 2023 was an art-historical sensation. It is the last known sketchbook by Friedrich in private hands – and one of only six surviving sketchbooks worldwide by the most significant painter of German Romanticism.

    This extraordinary artist's document from around 1804 offers an immediate insight into the crucial phase of Friedrich's artistic development. During his walks through Dresden and the surrounding landscape, he captured impressions of nature, motifs, and atmospheric studies – sketches that later formed the basis of iconic paintings.

    The 33 surviving drawings provide unique access to Friedrich's way of seeing, thinking, and artistic process. The high-quality deluxe edition makes this rare sketchbook accessible in a particularly true-to-original form:

    - Complete, true-to-original facsimile reproduction of all 33 drawings
    - Historical original format with characteristic rounded corners
    - Companion booklet with a well-founded art-historical introduction
    - Presentation of the sketchbook and companion booklet in a high-quality box

    Design, material, and craftsmanship are consistently geared towards the greatest possible proximity to the historical original. The edition not only conveys motifs but also makes Friedrich's artistic thought and working process tangible.

    This preferential edition is aimed at art lovers, collectors, libraries, and institutions who wish to own a central document of Romanticism in bibliophile quality.

    Caspar David Friedrich (1774–1840) was born in Greifswald, studied at the Art Academy in Copenhagen, and settled in Dresden from 1798. His landscape compositions testify to great introspection and melancholy. Friedrich demanded a new visual awareness from viewers; at the same time, his works elude clear interpretation, always offering new avenues for understanding.
    € 138,00
    € 138,00
  • Ein Buchcover aus strukturiertem Stoff mit einem alten Schwarz-Weiß-Foto der Künstler Anna-Eva Bergman und Hans Hartung, die an einem Strand stehen. Der Titel lautet We'll Never Be Parted.
    Bestseller
    Anna-Eva Bergman & Hans Hartung And We'll Never Be Parted
    This catalogue is the first comprehensive presentation of the lives and works of the artist couple Anna-Eva Bergman and Hans Hartung, who were connected by shared interests such as nature, cosmos, and music. Anna-Eva Bergman had Swedish-Norwegian roots and was a pioneering abstract artist who drew inspiration from landscapes and natural forms. Hans Hartung, born in Germany, played a significant role in the development of gestural-abstract art in Europe. Based on drawings, paintings, archive documents, and photographs, their two biographies are traced: from their first encounter in the 1920s, through a long separation, to their reunion in 1952 and both their deaths in the 1980s.

    Anna-Eva Bergman (1909–1987) was a Scandinavian artist known for her landscape-inspired abstractions and the use of gold leaf in her art. Her works often recall rocks, trees, or other natural forms she encountered on her extensive travels. Bergman also worked as a photographer, printmaker, and architect.

    Hans Hartung (1904–1989) was one of the most important representatives of abstract painting in Germany. His gestural style contributed to the rise of Art Informel in Europe. At the 1960 Venice Biennale, he was awarded the Grand International Prize for Painting. His works are held in important international collections.
    € 48,00
    € 48,00
  • Ein textiles Buchcover für Sofie Dawo mit schwarzen, herabhängenden Fäden und einem orangefarbenen Buchrücken.
    Bestseller
    Sofie Dawo
    Sofie Dawo was one of the most important artists in concrete textile art in the second half of the 20th century. With a willingness to experiment and based on the principles of the Bauhaus, she developed her own artistic position. She radically turned away from traditional forms of weaving and explored the essential properties of both established and new materials in her works, often in series. The characteristics of her fabrics and materials formed the basis for moving beyond the two-dimensionality of the woven surface and into space.
    This publication draws from the estate of her long-overlooked oeuvre, which includes not only woven pieces but also previously unknown drawings. Both groups of works demonstrate how much Sofie Dawo understood her weaving as an autonomous genre.

    SOFIE DAWO (1926–2010) was a visual artist and art educator. After studying textile design at the State School for Art and Crafts in Saarbrücken, she initially designed works for industry before teaching weaving and fabric printing, and from the early 1970s onwards, also design.
    € 58,00
    € 58,00
  • Das Buchcover von Michael Tedja, The color guide series and more, zeigt eine Person in Bewegungsunschärfe, die vor einem großen, bunten und abstrakten Gemälde geht.
    Bestseller
    Michael Tedja

    Drawing on draftsmanship, painting, literature, and installations, Michael Tedja's oeuvre erupts into a flamboyant and visually playful whole. His boisterous storms of imagery recall the CoBrA movement of artists from Copenhagen, Brussels and Amsterdam briefly banded together after World War II. Aiming to banish bourgeois rituals as well as theorizing around avant-garde art, they embraced expressionist spontaneity, an unrestrained use of vivid colors, folkloric elements, handwriting and graffiti. 
    But Michael Tedja has taken out the folkloric and anti-intellectual, his painting is a kind of IQ test. With abstract and figurative visual vocabulary complementing each other, Tedja’s imagery is expressive and linguistic, full of references and autobiographical elements. This monograph encompasses large-scale paintings, his overwhelming installation of large drawings Hypersubjective, as well as The Color Guide Series. Here, Tedja deploys textured paint, crayon and chalk on commercial paper stock—the color bars printed along the paper’s edge are left exposed—turning mass-produced standard into something decidedly unique. Yet by constantly recycling and repurposing images, Tedja explores the alterability of meaning within the visual context of globalization.

    MICHAEL TEDJA (*1971, Rotterdam) is a leading Dutch contemporary artist. He studied at the Gerrit Rietveld Academy and the Sandberg Institute in Amsterdam, where he also lives today. He had solo exhibitions at the Cobra Museum for Modern Art, Centraal Museum Utrecht, Locust Projects in Miami, the Stedelijk Museum Bureau Amsterdam, as well as numerous international group exhibitions.

    € 54,00
    € 54,00
  • Eine klassische, skizzenhafte Zeichnung von geflügelten, muskulösen mythologischen Figuren auf dem Buchcover Götter, Helden und Verräter.
    Bestseller
    Götter, Helden und Verräter
    Until the early 19th century, history painting, imbued with pathos, was considered the highest genre of art. With a moral claim—in Schiller's sense, to have an educational effect on the mind—the drawings condense significant moments from religious and mythological narratives. Human emotion and action literally become an artistic image of history. With the sheets assembled here, the Albertina unites outstanding works that mark the beginning of what is now the world's most important graphic arts collection. Its founder, Duke Albert of Saxe-Teschen, collected at the pulse of his time: Following his particular interest in drawings, studies, sketches, and large-format works on paper, he acquired the works directly and often personally in the studios of artists such as Jacques-Louis David, Anton Raphael Mengs, Antonio Canova, Angelika Kauffmann, Heinrich Friedrich Füger, and Johann Heinrich Füssli, or at the major academy exhibitions of his time.
    € 48,00
    € 48,00
  • Eine rote Neonschrift mit den Worten re use me leuchtet auf dem dunklen Cover des Buches Again and Again von Daniel Rode.
    Bestseller
    Daniel Rode

    Daniel Rode works with text fragments found in literature, conversations, and public space, deliberately disregarding syntax such as spaces and line breaks. Interrupting our reading habits, they retain their indeterminacy a little longer before these fragments can be decoded by reading. Detached from their original contexts, they find their way into both large-scale installations and drawings, often created in series. Rode moves between two polar opposites—a sober, reserved aesthetic on the one hand, and a sensitive, almost tender devotion to artistic execution on the other. Again and Again offers a comprehensive insight into Rode’s oeuvre, enriched by perceptive texts by 13 contributors providing an often surprisingly personal perspective on the artist and his work.

    DANIEL RODE (*1971, Eutin) studied in Greifswald and the Academy of Fine Arts Dresden in the class of Monika Brandmeier. He lived in Cairo from 2009 to 2014. Projects and residencies have taken him to Canada, the USA, Bahrain, Vietnam and many countries in Europe. Today, he lives in Dresden and Berlin.

    € 128,00
    € 128,00
  • Das Buchcover für Ernst Wilhelm Nay, Werkverzeichnis Band 2. Darauf ist ein farbenfrohes, abstraktes Gemälde mit dynamischen Formen und Linien abgebildet.
    Bestseller
    Ernst Wilhelm Nay

    The long-awaited, three-volume catalogue raisonné of works on paper by E. W. Nay (1902–1968) offers a definitive overview of this German painter’s oeuvre that will appeal to art historians, art dealers, and art lovers alike. Comprehensive and indepth, the publica­tion brings new insights and understandings to the work of this important figure in twentieth-century abstraction. With more than six thousand watercol­ors, gouaches, and drawings, Nay’s works on paper far outnumber his oil paintings. He was a restless cre­ator who consistently put his ideas about form and color onto paper. These works embody a kind of work­ing “journal” that reveals surprising aspects of his ar­tistic method. Documenting the processes behind his artistic activities and research, Nay’s works on paper are also autonomous creations that impressively chronicle the artist’s development and vision.

    € 248,00
    € 248,00
  • Das Cover des Buches Italian Architectural Drawings von Anna Bortolozzi zeigt eine detaillierte, historische Architekturzeichnung einer Fassade mit Bögen und Säulen.
    Bestseller
    Italian Architectural Drawings from the Cronstedt Collection in the Nationalmuseum, Stockholm

    This catalogue presents the first comprehensive study of the Italian architectural drawings in the Cronstedt Collection in the Nationalmuseum Stockholm, discussing 181 drawings dating from around 1570 to around 1620. Among them are works by Francesco da Volterra, Carlo Maderno and other Roman architects, executed for churches, chapels, palaces, gardens, and fountains—many constituting primary and almost unknown sources for late Mannerist and early Baroque architecture. Also included are plans and architectural details by French draughtsmen, meticulously documenting ancient monuments, as well as buildings by the Renaissance masters Bramante, Antonio da Sangallo, Michelangelo, and Vignola.

    Italian Architectural Drawings proposes new attributions in the light of recent scholarship, based on close examination of the drawings’ material (paper, medium, technique, mounting). Comparative illustrations and a photographic catalogue of the watermarks complete the volume.

    The NATIONALMUSEUM STOCKHOLM is Sweden’s largest art museum and contains some 700,000 works of art. The collection focuses on painting, sculpture, works on paper, and design objects from the sixteenth century to the present.

    € 58,00
    € 58,00

  • INTERVIEW WITH KATHARINA DOHM

    Blog

    INTERVIEW WITH KATHARINA DOHM

    Blog
  • ARMIN MUELLER-STAHL

    ARMIN MUELLER-STAHL

    Blog

    ARMIN MUELLER-STAHL

    Blog
    • -->